Following on from my first post: “Spa Hill Conker Tree”(READ MORE)
“Spa Hill Conker Tree Part 2” – I found out a little bit of info.
As a follow-up to my previous post, I am reporting to you that I am currently working on a 2nd attempt of a charcoal drawing of the iconic landmark in our town.
From what I can figure the Conker tree has been a constant presence in the area for an impressive 160/170 years. However, with this drawing, I hope to bring attention to its significance.
I’ve been doing some research…
In fact, I was able to look at some fascinating maps and photographs from as far back as 1860 with the help of Martin Hollingsworth and the Local History society, these have been a great help in capturing the tree’s essence.
If you can pinpoint Spa Hill on the map, follow the road left and you’ll come upon a notable tree at the junction. Although I can’t be certain that it’s THEE Conker Tree, it’s definitely a strong possibility.
Kirton-In-Lindsey Since 1860:
In 1860, Station Road/Spa Hill was a key thoroughfare and access route to the market town. The train station, which opened in 1849 on the former main line of the Great Grimsby and Sheffield Junction Railway, provided Kirton with significant trading opportunities, and the Conker Tree has been part of this journey. Unfortunately, today the train station is among the least utilised in the UK.
As the years went by, the station underwent many changes to meet the demands of modern transportation. Despite the trading activity in Kirton dwindling to a minimum, the town’s rich history remains vibrant, with remnants of the past evident throughout.
Reports Are In!
At the start of this post, I mentioned that I was working on a second attempt of a charcoal drawing of our town’s iconic landmark.
While I am indeed doing that, I’m not satisfied with this one either, so I believe a third attempt may be necessary.
3rd Times The Charm?
During my first attempt, I chose a smooth A3 paper, while for the second, I went with a textured A3 paper. My thinking was aligned with the idea of using a large canvas. However, I now think this approach was completely unnecessary. Some of the most well known works of art are surprisingly small, as exemplified by masterpieces like the Mona Lisa, which measures only 77 cm x 53 cm, or Van Gogh’s Starry Night, which is just 73.7 cm x 92.1 cm.
It’s intriguing how some of the most celebrated and influential artworks are quite modest in size.
The true essence of art isn’t determined by its dimensions but by the emotions it stirs, the narratives it conveys, and the connections it creates with its viewers.
Through my creative journey so far, I’ve discovered that it’s the quality of expression and the depth of creativity that truly matter, rather than the physical space the artwork occupies. Whether it’s displayed on an expansive canvas or a small sheet of paper, the possibilities for beauty and inspiration are limitless.
Progress of attempt No.2
I have also realised that drawing trees as a primary subject is not something I enjoy doing. Stay subscribed to see if I ever get it finished.
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